Topic: ecological validity

Filmmakers and editors have empirically developed techniques to ensure the spatiotemporal continuity of a film's narration. In terms of time, editing techniques (e.g., elliptical, overlapping, or cut minimization) allow for the manipulation of the perceived duration of events as they unfold on screen. More specifically, a scene can be edited to be time compressed, expanded, or real-time in terms of its perceived duration. Despite the consistent application of these techniques in filmmaking, their perceptual outcomes have not been experimentally validated. Given that viewing a film is experienc

Human participant research is somehow both antithetical and complementary to science. On the one hand, working with human participants provides incredibly rich and complex data with ‘real-world’ ecological validity. On the other, this richness is due to the incredible number of variables which uncontrollably become intertwined with your research interest, potentially limiting the conclusions you can draw from your work. Historical over-representation of white men as research participants, coupled with often overly-stringent exclusion criteria has led to a diversity crisis in human participant