To communicate effectively, two individuals must take turns to prevent overlap in their signals. How does the nervous system coordinate vocalizations between two individuals? Female and male plain-tailed wrens sing a duet in which they alternate syllable production so rapidly and precisely it sounds as if a single bird is singing. I will talk about experiments that examine the interaction between sensory cues and motor activity, using behavioral manipulations and neurophysiological recordings from pairs of awake, duetting wrens. I will show evidence that auditory cues link the brains of the wrens by modulating motor circuits.

Attending to mistakes while practicing alone provides opportunities for learning but self-evaluation during audience-directed performance could distract from ongoing execution. It remains unknown how animals switch between practice and performance modes, and how evaluation systems process errors across distinct performance contexts. We recorded from striatal-projecting dopamine (DA) neurons as male songbirds transitioned from singing alone to singing female-directed courtship song. In the presence of the female, singing-related performance error signals were reduced or gated off and DA neurons were instead phasically activated by female vocalizations. Mesostriatal DA neurons can thus dynamically change their tuning with changes in social context.

Using sounds for social interactions is common across many taxa. Humans engaged in conversation, for example, take rapid turns to go back and forth. This ability to act upon sensory information to generate a desired motor output is a fundamental feature of animal behavior. How the brain enables such flexible sensorimotor transformations, for example during vocal interactions, is a central question in neuroscience. Seeking a rodent model to fill this niche, we are investigating neural mechanisms of vocal interaction in Alston’s singing mouse (Scotinomys teguina) – a neotropical rodent native to the cloud forests of Central America. We discovered sub-second temporal coordination of advertisement songs (counter-singing) between males of this species – a behavior that requires the rapid modification of motor outputs in response to auditory cues. We leveraged this natural behavior to probe the neural mechanisms that generate and allow fast and flexible vocal communication. Using causal manipulations, we recently showed that an orofacial motor cortical area (OMC) in this rodent is required for vocal interactions (Okobi*, Banerjee* et. al, 2019). Subsequently, in electrophysiological recordings, I find neurons in OMC that track initiation, termination and relative timing of songs. Interestingly, persistent neural dynamics during song progression stretches or compresses on every trial to match the total song duration (Banerjee et al, in preparation). These results demonstrate robust cortical control of vocal timing in a rodent and upends the current dogma that motor cortical control of vocal output is evolutionarily restricted to the primate lineage.